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Sumervar was written in 1988 for a chamber orchestra consisting of winds, horns, and strings. The title is a short version of “orchestral variations on the medieval round sumer is icumen in.” The theme, heard in the piccolo, oboe and clarinet, is light-hearted and so too are the variations. There are several references to summer, including a little folk song that I learned as a young piano student. The piece ends with the theme played backwards in canon, accompanied by the strings, which should sound like an audio file in reverse.