It's Magic - Marty Gold and His Orchestra

It's Magic - Marty Gold and His Orchestra RL-16013DL Instant Download Price
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Klassic Haus Restorations
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It's Magic /Marty Gold and His Orchestra


Stereo Action is a revolutionary new concept of stereo recording in which instruments, singers, whole sections, even full orchestras are placed into movement so that the listener has, literally, music his eyes can follow. Stereo Action is a conscious and deliberate effort to set music in motion by utilizing actual movement of instruments and sounds from one speaker to another, and even, at times, suspending an instrument or sound between speakers. It is a pioneering concept in stereo listening, and resulted from years of extensive experiments and remarkable technical breakthroughs by the RCA corps of engineers. – from the liner notes

1) It's Magic - Jule Styne, Sammy Cahn 2:35
2) That Old Black Magic - Harold Arlen, Johnny Mercer 2:18
3) Shuffle Off To Buffalo - Al Dubin, Harry Warren 2:44
4) Witchcraft - Carolyn Leigh, Cy Coleman 2:55
5) Out Of Nowhere - Edward Heyman, John W. Green 2:45
6) High On A Windy Hill - Alex Kramer, Joan Whitney 2:40
7) Little Sir Echo - Arranged By Marsala/Girard - J. S. Fearis, L. R. Smith 2:33
8) Magic Is The Moonlight (Te Quiero Dijiste) - Charles Pasquale, Maria Grever 2:20
9) Old Devil Moon - Burton Lane, E. Y. Harburg 2:47
10) Did You Ever See A Dream Walking - Harry Revel, Mack Gordon 2:34
11) The Trolley Song - Hugh Martin, Ralph Blane 2:41
12) I've Got The World On A String - Harold Arlen, Ted Koehler 2:10

Credits:
Original RCA Engineer – Bob Simpson
LP Mastered by Richard B. Gardner
Original Producer – Herman Diaz, Jr.
Source: RCA Stereo Action LP LSA2290, recorded 1961 at Webster Hall, New York City

Thanks to Ron Bensley, Jr., for lending the LP used in this transcriptiomn
Transcription and digital restoration: Curt Timmons 2016/2017
Cover and inside art from original LP sleeve - CD label from original LP label

It's Magic /Marty Gold and His Orchestra Stereo Action is a revolutionary new concept of stereo recording in which instruments, singers, whole sections, even full orchestras are placed into movement so that the listener has, literally, music his eye
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